The 3 Greatest Moments In Slides To Digital History

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This indicates it ought to be much better suited for the ES-1 (without extra extension). If scanning these old slides is your only goal, and presuming you already have the DSLR, and can find an extension tube for DX, you may compare the macro lens expense with a film scanner. The lens is not a movie scanner naturally, and a digital camera will NOT appropriate to copy color negative film, but it works for slides.

The Nikon 60 mm macro lens is exceptional for any close-up work, and I 'd presume the other comparable lenses are excellent too. I forecast the macro would quickly become your preferred lens. This ES-1 setup works effectively for scanning mounted slides quickly - like magic after you master it.

Transfer Slides Into Digital Format Things To Know Before You Buy

The macro lens optical quality is exceptional, but the other aspects are possibly not truly optimum (haste, installing, framing, etc), not the like a real movie scanner. But still rather easy, and which seems more than excellent enough for this function to recapture thousands of old slides for classic functions.

What Does Transfer Slides To Digital Do?

Honestly, due to the months of work that would be needed on a movie scanner, this job went years without happening at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, utilizing the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).

The image is significantly bigger than your display screen, and to see full size, you might have to save the larger image and view with an image editor, or you might switch off Automatic Image Resizing in your browser. The camera macro lens appears the obvious bet for remarkable optical quality. :-RRB- Results are clearly sufficient. And did I discuss it is extremely quick? Evaluating extremes possibly, but here is the very same slide copied with a Canon A 620 Power Shot compact electronic camera (point & shoot) in its macro mode. No additional accessory was utilized - its macro mode gets this close if zoomed to wide-angle.

Pixel measurements are roughly equivalent to scanning at 2500 dpi. This was a quickly kludged setup for the one image here. (My method: keep piling on things to digital to solve the next immediate problem). The cam was on a tripod. The slide was actually standing on edge on top of a light stand pole, accepted a piece of tape.

The Transfer Slides To Digital Statements

This light was a 150 watt household incandescent lamp (perhaps 2900K?) in a ten inch clamp-on utility reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it adequately (this lighted area must be a couple of feet large, the slide at 1/2 inch is a large angle situation).

The JPG was a little blue, and was changed here with -Blue and +Red. Car direct exposure was ISO 100 and 1/80 2nd (time delay shutter to let video camera stop shaking). This cam takes 4:3 photos, but the slide was 3:2, so the ends are cropped. Or, a little more distance would have made the image smaller sized so it would all fit, and after that it could have been cropped to 3:2.

A straight edge held to the top railing on the right shows a similar bow, which is noticeable. Considerable vignetting (dark corners). This is a quite severe scenario for the little compact video camera lens. Not exactly sure you would actually desire to try this, however it can work. I did feel the really strong requirement for a hassle-free slide holder.

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Compacts do not define their macro reproduction ratio, to digital so the calculator can not include them. Numerous other methods of holding and brightening the slide are certainly possible. If you have a longer macro lens, you surely require something besides the ES-1 anyhow. You just need a diffused light behind the slide, and a video camera and macro lens in front of it.

One typical method positions a lighted white paper or foam board background a foot or two behind the slide, with the electronic camera and macro lens on a tripod in front. Slide holder could be a plastic pill bottle screwed to a board, with a slot cut at top to hold the slide standing up.

Video camera tripod screws are an ordinary 1/4-20 UNC screw (Unified Thread Standard, coarse thread, 1/4 inch size, 20 pitch per inch), typical in any North American hardware shop. Speedlight flash is likewise great for freezing cam shake. Or, merely standing the slide on a routine lighted slide sorting tray is generally the exact same thing, pointing the lens at it, rear lighted.

About Digitalize Slides

The holder should be simple and fast and steady, you Transferring Slides to Digital don't want it to move. Here's a neat Do It Yourself idea shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks very useful and simple to run. Tokina 100 mm macro lens on Nikon D 7100 cam, utilizing a white screen flashlight app (Android).

White balance is Cloudy, or Shade in some cases (fixing private slides will vary a little). Mounting the cam and the slide on the exact same board lessens any possibility of cam shake. Obviously, these do need to be mounted at the appropriate range so that the slide fills your frame at your common 1:1 or 1:1.5 focus distance.